On 4 July 2014 the first In Battalions Festival will take place at Drama Centre London at Central Saint Martins. This one-day summer festival is a new opportunity for professional theatre-makers, academics, politicians, journalists and other culture professionals to share innovative ideas and practical models for maintaining a vital theatre ecology in the UK and will take place as part of The Year of Experimentation, a three-day new writing festival taking place at Drama Centre London as the culmination of the first year of its new MA in Dramatic Writing.
The In Battalions report, published by playwright and WGGB member Fin Kennedy and researcher Helen Campbell Pickford in 2013, received widespread coverage and formed a significant part of the recent debate about arts funding cuts, in particular around theatres’ capacity to take risks on developing new plays and playwrights in an age of austerity.
The 2014 follow-up, the In Battalions Delphi study, brought together 36 innovative solutions to this problem, sourced from and voted on by theatre professionals. These proposals suggest new ways for theatres and theatre-makers to work with the Arts Council to protect creative risk-taking on new work.
Playwright Fin Kennedy said: “The original In Battalions study of 2013 found theatres across England cancelling shows and cutting back on creative Research and Development as a result of government cuts to the Arts Council. The Delphi study was a solution-focused follow-up. Both studies have been widely circulated online, and carved out some valuable ‘blue skies’ space for our sector. But what’s needed now is a physical space where culture professionals can come together to make real connections to take these ideas forward. The In Battalions Festival at Central Saint Martins is the third stage of the campaign, and attempts to do just that. I’d invite anyone who cares about the future of new British theatre to come along, meet inspiring speakers and share their ideas.”
The In Battalions Festival is a chance to discuss some of the issues raised by the In Battalions reports, form consortia to take forward solutions, and suggest new ways in which the sector might work together better, fund itself more sustainably and articulate its case more effectively. The Festival will be made up of talks and provocations from invited speakers, studies of best practice within the theatre industry and other art forms, space to debate how best for the theatre industry to make its case in the run-up to next year’s General Election, as well social time for attendees to make connections with one another.